THE INVISIBLE HAND: UNRAVELING GLOBAL INFLUENCE, SECRET NETWORKS, AND CULTURAL POWER PLAYS. PART-1

In 1995, renowned Pop Art painter Romero Britto created an abstract piece of art titled Rothschild's Butterfly. At first glance, this may seem like just another vibrant, whimsical creation by Britto. However, a closer examination reveals deeper connections to powerful figures and institutions that operate behind the scenes in global geopolitics and cultural influence.

The Symbolism Behind Rothschild's Butterfly

For those unfamiliar, Rothschild's Birdwing (Ornithoptera rothschildi) is a large butterfly native to the Arfak Mountains in Western New Guinea. It was named after Lord Walter Rothschild, a financier and naturalist who played a significant role in the discovery of numerous species. Walter Rothschild was the brother of Nathan Mayer Rothschild, who has been historically linked to funding Karl Marx while he wrote Das Kapital in a Rothschild-owned library. This connection weaves together Marxist thought, elite financiers, and the shaping of modern ideological frameworks.

Romero Britto: More Than Just a Pop Artist

Romero Britto is no ordinary artist. His works reflect deeper symbolism and connections to some of the most influential figures in what is often referred to as the "Deep State." As a leading figure in the world of Pop and Abstract Art, Britto’s influence extends into political and economic circles, where he has associated with figures such as:

• Pope Francis

• Hillary Clinton

• Barack Obama

• Bill Clinton

• King Charles III

• George Clooney

• Members of the Rothschild family (Philippine and Phillip Rothschild)

• Klaus Schwab (World Economic Forum founder)

• Hilda Schwab (Klaus Schwab’s wife)

• Michael Jackson

• Carlos Slim Helú (Mexican billionaire)

• Richard Branson

• George Bush

• Abstract art icon Jeffrey Koons

Britto's proximity to these figures suggests that his art may serve a role beyond mere aesthetics—potentially as part of a broader cultural agenda shaped by global elites.

Jeffrey Koons: The Deep State’s Favorite Artist

Jeffrey Koons, a close associate of Britto, is regarded as "the most expensive living artist." Koons' former marriage to Italian porn star Ilona Staller (Cicciolina), known for delivering political speeches topless, demonstrates his intersection with provocative, counter-cultural movements. His art—often merging erotica, abstraction, and modernist themes—has been championed by key figures in global institutions.

Koons has also been awarded the Medal of Honor by Hillary Clinton and is linked to Marina Abramović, an artist associated with controversial "spirit cooking" performances. Abramović herself has longstanding connections with the Rothschilds, the Clintons, Jeffrey Epstein, and other powerful individuals embedded in global networks.

The Role of the Foundation for Art and Preservation in Embassies (FAPE)

Koons’ involvement with the Foundation for Art and Preservation in Embassies (FAPE) highlights the intersection of art and diplomacy. Established during President John F. Kennedy’s administration, FAPE operates as a cultural initiative backed by:

• The U.S. State Department

• The Ford Foundation

• High-profile patrons such as Hillary Clinton, Madeleine Albright, Mike Pompeo, Colin Powell, John Kerry, and Henry Kissinger

FAPE functions as a mechanism for promoting American cultural influence abroad, deploying abstract and modernist art—styles historically favored by intelligence-backed cultural initiatives. Through diplomatic immunity, FAPE facilitates the movement of art and artifacts across international borders, raising questions about its true purpose beyond cultural enrichment.

The Cultural War and Abstract Art

The strategic use of abstract and modern art has been a hallmark of global cultural campaigns. In 1950, intelligence-backed initiatives established the Congress for Cultural Freedom (CCF) in West Germany to counter Soviet ideological influence. The CCF was later phased out in 1978 and replaced by FAPE, continuing a long-standing tradition of using art as a geopolitical tool.

Notably, key figures within FAPE have direct ties to influential global networks. For example:

• Vera Blinken (mother of U.S. Secretary of State Antony Blinken) plays a significant role in FAPE.

• Darren Walker, president of the Ford Foundation, is a major player in global cultural diplomacy.

• Jack Sheer, a Biden Administration appointee, has ties to elite art circles that intersect with FAPE.

  
  

The Indian Connection: Art as a Geopolitical Tool

FAPE’s reach extends beyond Western borders. One notable example is the commissioning of artist Lynda Benglis for an installation at the U.S. Consulate in Mumbai, India. Benglis, a long-term associate of Marina Abramović, has deep ties to influential Indian figures, including Anand Sarabhai (cousin of Mallika Sarabhai).

The Ford Foundation has been instrumental in funding art21, an initiative where both Benglis and Abramović serve as panel artists, further intertwining Indian and Western artistic influences under a broader global agenda.

The relationship between global elites, the art world, and cultural institutions is far from coincidental. Organizations like FAPE and the Ford Foundation have strategically positioned abstract and modern art as instruments of cultural and ideological influence, operating under the guise of artistic freedom and diplomacy.

Romero Britto, Jeffrey Koons, and Marina Abramović serve as emblematic figures in a larger network that has blurred the lines between art, politics, and global strategy. Their works, often celebrated for their aesthetic appeal, may in fact be conduits for deeper cultural engineering efforts, where abstract and pop art function not just as expressions of creativity but as tools for shaping ideologies and reinforcing elite control.

As new revelations continue to surface, it becomes clear that art has long been a silent yet powerful force in global affairs—one that demands closer scrutiny as a potential instrument of influence in an age of information warfare and cultural hegemony.

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